This Drifting Excrement Was Far Too Meaningful! It's the Television Letdowns of the Year.

As we reflect on the television offerings of the past year, a selection of shows stand out not for their brilliance, but for their notable shortcomings. Ranging from awkward spin-offs to confusingly bad documentaries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Plagued with dreadful scripts, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. Briefly, as the final series started, it seemed as if it had finally found its groove. Then came an episode centered on Seema’s natural deodorant. Little surprise the showrunner declared this would be the final series. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was simply too on-the-nose. Still, fans undeniably had a hoot dissecting every single “what on earth?” moment. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't release a small sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the least of this drama's problems. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to begin listing the flaws. The hilariously wooden dialogue? The tedious veneration of affluence and consumption? The almost deliberate parade of cliches? Performances so bad they felt borderline spiteful? Suffice it to say “all of the above” and forget about this show again. Except, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the restraining orders, domestic violence claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various episodes of self-destructive hedonism while struggling to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being pandered to, so any pity this series might evoke should be reserved for the people who have had to suffer proximity with this charismatic but dismissive narcissist.

The Supercomputer Drama

Naturally we knew it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

MobLand

Shady figures meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were many other issues. Mainly that it was just really boring; a dispute over drug-selling territory between various London picaresques which felt a bit basic.

The Meghan Markle Series

Given the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s various forays into quaint lifestyle as deliberate provocations. But then you watch them and are compelled to admit that in this case, they may have a point. It’s like watching a homeware catalogue come to life; a poster for wine o’clock with ideas of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and pointless crafting “hacks” you’ll not remember instantly. All supported by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-worth. But for some reason, this three-part series chose not to say them. Instead, the experience was akin to reading a marketing catalogue. She clearly has good reason to resent what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too confusing to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a programme that was straining desperately to emulate something far greater than it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The pressure was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart recruitment of gifted younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled sensitively. Instead, the series laboured awkwardly to find the right tone, lumbering from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Complex? Arguably. A complete mess? Very much so.

Prime Target

We admire the lead actor … but did we buy him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about secret services spying on – and eliminating – intellectuals honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we wanted was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was disturbing imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Michelle Lopez
Michelle Lopez

A London-based tech journalist with over a decade of experience covering UK startups and digital transformation.